The San Francisco History Center invites you to visit a new exhibition presented by the San Francisco Public Library in association with Famento.com, San Francisco Department of Aging and Adult Services and Cypress Lawn.
San Francisco seniors share their unique life stories and experiences of love, laughter, hardships, persistence and change, in video and photos.
Come learn about being one of the first male professional ballet dancers in Wales, living in the Philippines in the aftermath of World War II, organizing San Francisco's first international film festival, changes in San Francisco neighborhoods over the years, and much more.
The Exhibition will run through August 25, 2010
Located in the display cases outside the San Francisco History Center on the 6th Floor of the Main Library.
Related program:
Golden Voices: Sharing Life Stories
Saturday, August 21, 2010 --- 2 p.m.
This panel will feature participants from the Golden Voices project as well as oral historians Angela Zusman and Nancy MacKay discussing the collection and archiving of oral histories.
Latino/Hispanic Community Meeting Room B, Main Library, Lower Level
Saturday, June 26, 2010
Tuesday, June 22, 2010
It Came From the (Photo) Morgue!
Did you know that June is National Accordion Awareness Month? Not only that, but in 1990 the accordion was named San Francisco's Official Musical Instrument. For more information on the 20th anniversary celebration that took place on June 11, 2010 at City Hall and an .mp3 of "San Francisco (Open Your Golden Gate)" - accordion-style - check out All Things Accordion.
In honor of this great event, we present this gem from the SF News-Call Bulletin photo morgue!
Judge Gets A "Tuneful" Little Earful -- Accordion Man Wins Suit
July 17, 1933
San Francisco, CA... How long does an accordion take to mellow? Is a young accordion sourer than an old one? These questions were debated in Judge Frank T. Deasy's court here as a suit involving accordions and automobiles was untangled. Samuel Lazzerini alleged that he had traded a real good automobile for an accordion proportedly worth $500; that he had given it to his daughter Melba to play and that he was really shocked when he heard it. The defendants alleged that the car which Lazzerini traded them was no gem. Miss Helen Smith, expert in accordionology, is pictured giving Judge Deasy, right, and Miss Lucille Genazzi a concert in court. The judge decided in favor of the defendants.
The Library owns the photo morgue of the San Francisco News-Call Bulletin, a daily newspaper that covered the time period from the 1920’s to 1965. Much of the San Francisco History Collection comes from the News-Call Bulletin morgue. However, the morgue also includes national and international subjects that have not been digitized or cataloged.
Looking for a historical photograph of San Francisco? Try our online database first. Not there? Come visit us at the Photo Desk of the San Francisco History Center, located on the sixth floor at the Main Library. The Photo Desk hours are Tuesdays and Thursdays 1 p.m. to 5 p.m., and Saturdays 10 a.m. to noon, 1 p.m. to 5 p.m.
In honor of this great event, we present this gem from the SF News-Call Bulletin photo morgue!
Photo and caption from the San Francisco News-Call Bulletin Photo Morgue, courtesy of the San Francisco Historical Photograph Collection, San Francisco Public Library.
Judge Gets A "Tuneful" Little Earful -- Accordion Man Wins Suit
July 17, 1933
San Francisco, CA... How long does an accordion take to mellow? Is a young accordion sourer than an old one? These questions were debated in Judge Frank T. Deasy's court here as a suit involving accordions and automobiles was untangled. Samuel Lazzerini alleged that he had traded a real good automobile for an accordion proportedly worth $500; that he had given it to his daughter Melba to play and that he was really shocked when he heard it. The defendants alleged that the car which Lazzerini traded them was no gem. Miss Helen Smith, expert in accordionology, is pictured giving Judge Deasy, right, and Miss Lucille Genazzi a concert in court. The judge decided in favor of the defendants.
The Library owns the photo morgue of the San Francisco News-Call Bulletin, a daily newspaper that covered the time period from the 1920’s to 1965. Much of the San Francisco History Collection comes from the News-Call Bulletin morgue. However, the morgue also includes national and international subjects that have not been digitized or cataloged.
Looking for a historical photograph of San Francisco? Try our online database first. Not there? Come visit us at the Photo Desk of the San Francisco History Center, located on the sixth floor at the Main Library. The Photo Desk hours are Tuesdays and Thursdays 1 p.m. to 5 p.m., and Saturdays 10 a.m. to noon, 1 p.m. to 5 p.m.
Wednesday, June 16, 2010
Unnaturalized Affection. 1918 German Aliens.
The State of Arizona's new immigration law has raised many questions about what it means to be a U.S. citizen, what the country's responsibility is to those who come here seeking a better life, and what "protecting our borders" means and how that can best be accomplished. Similar questions came to my mind when I cataloged the library's Alien Enemy Registration Affidavits from 1918.
At that time, we were a nation at war and the country's security was top priority. The President and Congress mandated the registration of all unnaturalized Germans over the age of 14 in the United States. Across the country, local police departments handled registration on behalf of the Department of Justice: 80,000 German aliens were registered in New York/New Jersey; 12,000 in Philadelphia; 2,000 in Boston; 6,000 in St. Louis; and 27,000 in Chicago. The San Francisco History Center's collection of approximately 6,500 registration affidavits were part of the San Francisco Police Department archives that were transferred to the library in 1975.
At that time, we were a nation at war and the country's security was top priority. The President and Congress mandated the registration of all unnaturalized Germans over the age of 14 in the United States. Across the country, local police departments handled registration on behalf of the Department of Justice: 80,000 German aliens were registered in New York/New Jersey; 12,000 in Philadelphia; 2,000 in Boston; 6,000 in St. Louis; and 27,000 in Chicago. The San Francisco History Center's collection of approximately 6,500 registration affidavits were part of the San Francisco Police Department archives that were transferred to the library in 1975.
The collection is of interest to historians and genealogists because the registration affidavits ask for every piece of information imaginable (from employment to residences, from brothers to mothers to the ship you came in on). They are a fantastic primary source for anyone who wants to study German immigration and the German community in San Francisco. The affidavits also document what the police department was doing during World War I.
At first, only men were required to register, but in April 1918, Congress required that women register as well. No one was exempt, including those in holy orders and those who were well-to-do or well connected.
Out of curiosity, I took a look at the San Francisco History Center’s vertical files on Germans in the city. I discovered a program for the Deutscher Tag/German Day Celebration of October 1-2, 1938. It was a 255th anniversary celebration of the landing of The Good Ship Concord on October 6, 1683 with the first large group of German settlers for Pennsylvania. The program lists several songs and remarks by notables. I especially like the juxtaposition of The Star Spangled Banner with Deutschland, Deutschland über Alles.
The choir director, F. G. Schiller, was born in Munich on April 24, 1883. He arrived in the U.S. in 1911 and in San Francisco in 1917, where he became the director of the Municipal Orchestra. On November 15, 1917, Schiller conducted a program of patriotic music at the Exposition Auditorium in San Francisco including The Star Spangled Banner and Over There. The very next day, a Presidential order would require his registration as an unnaturalized resident German alien enemy.
Schiller was naturalized in June 1920, and in 1938 we see that he was the music director for a few choirs in San Francisco. While now a U.S. citizen, he clearly cherished his German heritage. Schiller was also a composer, and in 1949 he conducted his own composition, Eine Faust-Phantasie, at the California Hall as part of nationwide Goethe celebrations. Frederick Guido Ludwig Schiller died in Contra Costa County on December 10, 1985 at the age of 102. His story is just one of thousands awaiting discovery in this collection.
Frederick Schiller registration affidavit images from Alien Enemy Registration Affidavits (SFH 48). Deutscher Tag images from the Vertical File: S.F. Ethnic--Germans. All images courtesy of the San Francisco History Center, San Francisco Public Library.
The choir director, F. G. Schiller, was born in Munich on April 24, 1883. He arrived in the U.S. in 1911 and in San Francisco in 1917, where he became the director of the Municipal Orchestra. On November 15, 1917, Schiller conducted a program of patriotic music at the Exposition Auditorium in San Francisco including The Star Spangled Banner and Over There. The very next day, a Presidential order would require his registration as an unnaturalized resident German alien enemy.Frederick Schiller registration affidavit images from Alien Enemy Registration Affidavits (SFH 48). Deutscher Tag images from the Vertical File: S.F. Ethnic--Germans. All images courtesy of the San Francisco History Center, San Francisco Public Library.
Saturday, June 5, 2010
Archives 101--Part 1: Appraisal
It may be an alphabetical accident, but two actions that determine what material is added to the archives and when it is added start with the letter “A”—Appraisal and Accession. Here in Part 1 of Archives 101, we’ll address appraisal.
More often than not, when we clean house or prepare to move, we come across something that we haven’t seen in years that reminds us of what we were doing at an earlier moment of our lives. Usually, we spend some time reliving that moment, and then we decide whether to toss the item, keep it, or give it away. That, in a nutshell, is appraisal.

Appraisal is the act of looking at materials and determining their value. The Antiques Roadshow TV program provides an excellent example of appraisal in action. An antiques expert looks over a particular item—figures out who made it, where it came from, what its condition is, how it compares with similar items—and then, keeping all of that information in mind, he determines its value in monetary terms.
An archivist’s appraisal shares all of these same steps except the last one; instead, an archivist’s final step is to determine: is this material worth keeping or not? Archivists are interested in the long-term or enduring value of the material that we choose to keep—though we recognize that some items may be of significant monetary value, too. A letter signed by Abraham Lincoln may be of monetary value simply because of his signature—but the content of the letter may be of even more significant value to historians and archivists.
Most of us don't have a Lincoln letter in the attic, but often we do have letters or email with family and friends, photographs of get-togethers and special events we've attended, matchbooks or postcards from places we've visited, and perhaps even flyers that we've been handed as we're walking around the city. All of these items document our lives and activity in the places where we've lived or visited. As such, their value may not be high in monetary terms, but their value in documenting social activity is very high--certainly on a personal level to each of us--and possibly to others who are interested in a particular time period and place. For archivists, value is often linked to context.
Archivists usually appraise large collections of material twice: the first time, to determine if the collection is worth keeping long-term, and the second time, to examine the same material in closer detail when it is being organized and described. Once a collection has been appraised and the archives has decided to accept it, then the material is accessioned. Stay tuned for Archives 101--Part 2: Accession.
More often than not, when we clean house or prepare to move, we come across something that we haven’t seen in years that reminds us of what we were doing at an earlier moment of our lives. Usually, we spend some time reliving that moment, and then we decide whether to toss the item, keep it, or give it away. That, in a nutshell, is appraisal.

Appraisal is the act of looking at materials and determining their value. The Antiques Roadshow TV program provides an excellent example of appraisal in action. An antiques expert looks over a particular item—figures out who made it, where it came from, what its condition is, how it compares with similar items—and then, keeping all of that information in mind, he determines its value in monetary terms.
An archivist’s appraisal shares all of these same steps except the last one; instead, an archivist’s final step is to determine: is this material worth keeping or not? Archivists are interested in the long-term or enduring value of the material that we choose to keep—though we recognize that some items may be of significant monetary value, too. A letter signed by Abraham Lincoln may be of monetary value simply because of his signature—but the content of the letter may be of even more significant value to historians and archivists.
Most of us don't have a Lincoln letter in the attic, but often we do have letters or email with family and friends, photographs of get-togethers and special events we've attended, matchbooks or postcards from places we've visited, and perhaps even flyers that we've been handed as we're walking around the city. All of these items document our lives and activity in the places where we've lived or visited. As such, their value may not be high in monetary terms, but their value in documenting social activity is very high--certainly on a personal level to each of us--and possibly to others who are interested in a particular time period and place. For archivists, value is often linked to context.
Archivists usually appraise large collections of material twice: the first time, to determine if the collection is worth keeping long-term, and the second time, to examine the same material in closer detail when it is being organized and described. Once a collection has been appraised and the archives has decided to accept it, then the material is accessioned. Stay tuned for Archives 101--Part 2: Accession.
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